Panasonic launched its new 18.1-megapixel camera, LUMIX DMC-TZ80 that boasts 30x optical zoom (35mm camera equivalent: 24-720mm) packed in a pocket-sized body while enabling 4K video / 4K PHOTO shooting performance.
The versatile ultra-wide angle 24mm 30x optical zoom LEICA DC VARIO-ELMAR lens is useful in any occasions. Passing Leica’s stringent standards, LUMIX TZ80 boasts exceptional optical performance with stunning clarity with minimum distortion and flare. The 18.1-megapixel High Sensitivity MOS sensor and the new image processor Venus Engine enable shooting high quality image even in high sensitivity recording in low-lit situations.
The LUMIX TZ80 is capable of recording smooth, high-resolution QFHD 4K video in 3840×2160 at 30p(60Hz) / 25p(50Hz) in MP4*1. Taking advantage of 4K technology, users can capture the fleeting photo opportunities at 30 fps in 8-megapixel equivalent resolution as a 4K PHOTO. More practical functions based on the 4K technology are also available. The Post Focus enables users to select in-focus area after shooting with easy operation.
Multiple shots can be taken with max.49 of different focus points with a single shutter release to choose from the 4K (3840×2160) burst file. This function has been developed by combining the high-speed, high-precision DFD (Depth From Defocus) auto focus technology and the 4K technology. Operation is quite simple and easy – an image to be shot in Post Focus mode touching the point where focus is required while playing back the image. Focus Peaking can be used with 5x magnified view and fine adjustment functions to set focus precisely, taking as much time as desired after shooting.
Hitesh Ojha, Deputy General Manager, AV Department at PMMAF (Panasonic Marketing Middle East & Africa) notified, “the new LUMIX TZ80 incorporates Light Composition function with which the camera synthesizes the images by choosing and saving a brighter pixel. This makes it possible to produce more luxurious, dramatic image of situations such as fireworks or night scenery in camera with ease.”
He added, “The 4K Live cropping in video recording realizes stable panning or zooming in video recording. In panning shots, just set the viewing angle to start and end with to get smooth panning imagery without using any special equipment like a slider. In zooming, the after-zoomed viewing angle should be set first, so that the subject can be perfectly in the frame. Thanks to the digital operation, the imagery of zooming is smooth because it does not move zoom lens physically.”
For even faster response and higher mobility, the LUMIX TZ80 integrates the DFD (Depth From Defocus) technology*2 to achieve ultra-high-speed AF of approx. 0.1 sec. It contributes to the high speed burst shooting at 10 (AFS) / 5 (AFC) fps. The LUMIX TZ80 also feature a variety of AF functions such as Touch AF, 49 point AF, Low light AF that encourages users to get best results in wide-ranging shooting situations.
The LUMIX TZ80 incorporates a 3.0-inch 1,040k-dot rear monitor with newly adopted touch control system and a 0.2-inch 1166k-dot EVF (Electronic View Finder) with eye sensor. The Control Ring on the lens barrel encourages quick, intuitive operation. For more creative freedom, RAW image recording, Creative Control filter mode, Creative Panorama mode are available.
Sony Launches “World’s Smallest and Lightest” F2.8 Standard Zoom Lens
Sony Middle East and Africa announced the 67th lens in its mirrorless E-mount lineup – the highly-anticipated, FE 24-70mm F2.8 GM II (model SEL2470GM2). Sony developed the world’s lightest F2.8 standard zoom lens1 using its leading lens technology to deliver stunning resolution and beautiful bokeh known to Sony’s “G Master” series. The FE 24-70mm F2.8 GM II is one of the most versatile lenses in the line-up and was created for photographers, videographers, and hybrid content creators.
“Six years have passed since Sony released the first 24-70 mm F2.8 G Master and in that time, our customers’ needs have changed,” said Murat Gebeceli, Head of Digital Imaging, Sony Middle East & Africa. “We are always listening to our community and have designed the new FE 24-70mm F2.8 GM II around feedback from creators in the region. Knowing the 24-70 mm focal length is extremely popular, it was imperative that we continue improving to bring our most advanced technology to such a critical lens in our customers’ kit. Today, we are thrilled to introduce the world’s smallest and lightest F2.8 standard zoom lens to the Middle East & Africa region.”
The FE 24-70mm F2.8 GM II is great for a compact yet versatile setup and allows users to capture extremely sharp, detailed imagery for both stills and video. The new lens features high resolution across the frame—even with the aperture wide open. A completely redesigned optical path features five aspherical elements, including two high-precision XA (extreme aspherical) elements. The FE 24-70mm F2.8 GM II also includes two ED (extra-low dispersion) plus two Super ED glass elements. Combined with a new floating focus mechanism, the lens effectively controls chromatic aberration, astigmatism, distortion, and coma so that outstanding resolution is achieved throughout the image area at all zoom and aperture settings.
Even when shooting in challenging lighting conditions, the FE 24-70mm F2.8 GM II achieves excellent clarity by effectively subduing flare and ghosting. This is thanks to Sony’s original Nano AR Coating II which produces a uniform anti-reflecting coating on the lens surface. The FE 24-70mm F2.8 GM II produces stunning bokeh throughout the zoom range with beautiful and almost perfectly circular bokeh with its advanced optical design and a newly developed 11-blade aperture unit.
In this new 24-70 mm design, this lens delivers outstanding close-up performance with a minimum focusing distance of 8.25 inches (0.21 meters) at 24 mm and 12 inches (0.30 meters) at 70 mm, and with a maximum magnification of 0.32x. The FE 24-70mm F2.8 GM II achieves reliable focus by using four of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control – even when shooting a fast-moving subject. In addition, the lens supports up to 30 fps continuous shooting for stills and 4K 120p video recording with autofocus.
The FE 24-70mm F2.8 GM II enables full AF tracking performance even when shooting stills with the aperture stopped down, making it possible to use deeper depth of field to ensure that moving subjects remain in sharp focus when shooting continuously. The lens’ AF tracking performance while zooming is approximately two times better than the previous model.
With its constant F2.8 maximum aperture, astounding AF performance, versatile control, and solid reliability, the FE 24-70mm F2.8 GM II is designed for all types of video applications. The FE 24-70mm F2.8 GM II offers extremely quiet AF operation, thanks to the XD Linear Motors and a newly developed aperture unit. Using the latest lens technology, the FE 24-70mm F2.8 GM II reduces focus breathing, focus shift, and axial shift when zooming for smooth video footage. This lens also supports the breathing compensation function provided in compatible Alpha series cameras.
As an added benefit for advanced video creation, the newest lens includes Linear Response MF (manual focus) that ensures high repeatability when focusing manually as the focus ring responds directly and repeatedly to subtle control. It also includes an aperture ring making manual aperture/iris control fast, direct, and easy. The dedicated iris ring enables click-less control to achieve the smooth depth of field transitions.
Designed to perfectly pair with Sony’s compact Alpha system E-mount cameras, the FE 24-70mm F2.8 GM II is the world’s smallest and lightest1 24-70 mm F2.8 zoom in its class and offers unprecedented shooting flexibility and freedom in a wide range of situations. The FE 24-70mm F2.8 GM II weighs just 24.6 ounces (695 grams), approximately 20% less (7 ounces) than the original 24-70 mm F2.8 G Master. The lens’ length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%.
The new FE 24-70mm F2.8 GM II was developed based on feedback from professionals to offer even better control and usability than preceding models. This model includes:
- Zoom smoothness switch to adjust zoom ring torque to either Tight or Smooth
- A newly added aperture ring with click ON/OFF switch and iris lock switch
- Two customizable focus hold buttons
- The focus ring responds directly and linearly to subtle control when focusing manually
- New lens hood design with an opening to control circular polarizing filters (dia. 82mm)
- The center of gravity back toward the mount for improved handling and operation
An updated dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions. The buttons and switches are fitted with rubber gaskets, and a rubber ring seals the lens mount. The front lens element also features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that become attached to the lens surface.
The new FE 24-70mm F2.8 GM II will be available in the Middle East & Africa region from the end May 2022.
Fujifilm Launches Instax Mini Evo Camera
Fujifilm has unveiled the Instax Mini Evo, its new flagship instant film camera with a premium build, higher resolution than previous models and improved smartphone integration. As with other Instax cameras, you can take photos and instantly develop them to Fujifilm’s credit card-sized Instax Mini film, but it offers a number of features not available on previous models.
As a hybrid camera, you can review photos on the LCD monitor and choose the ones you want to print. However, the new model is the first Instax camera with a print lever and lens/film filter dials. That lets you take a picture then choose among 100 combinations of effects (including “Soft Focus,” “Light Leak,” “Monochrome” and “Retro”) and print the image afterward by pulling the print lever. Fujifilm said the camera also delivers better quality prints as it has twice the exposure resolution of previous models.
The Instax Mini Evo is also effectively a mini-printer for your smartphone. You can transfer images from your phone to the Evo Mini wirelessly, then print them using the “Direct Print” button. And for the first time, you can transfer snaps you take with the Mini Evo back over to your smartphone, complete with the film border. Finally, you can use your smartphone to take pictures remotely with a camera.
Fujifilm also unveiled a new Instax Mini film format called “Stone Grey” with a gray background. The new camera is priced at $200.
Canon Launches a Very Unusually Shaped PowerShot PX Camera
Canon has launched the PowerShot PX, a small, smart and friendly camera, which automatically captures high-quality 11.7MP images and 60p Full HD video. The PowerShot PX’s smart features such as automatic capture of still imagery and video are set to reimagine how families capture memories. With this clever camera, families can enjoy the moment and still capture it, without having to stay behind the lens.
From family photographers to gadget-lovers, this new intuitive camera incorporates smart functionality to document social events and everyday memories. With automatic capture and priority shooting, the PowerShot PX is an innovative addition to the home that complements photographers’ existing cameras, and a shining example of Canon’s technology algorithm and the forward-thinking features constantly being added to its product line-up.
When you want to capture life’s precious moments and be in the shot, the PowerShot PX is ideal – following the action and framing subjects intelligently to capture natural expressions and reactions. Once switched on, the portable PowerShot PX can be placed anywhere around the home to take candid shots of everyday moments, while voice command capabilities allow complete hands-free control to capture still images or dynamic videos.
Thanks to the simple yet portable design, USB-C charging, and built-in Wi-Fi – which links to smart devices – the compact PowerShot PX can go anywhere. With intelligent facial recognition features, PowerShot PX uses auto-subject searching to keep loved ones in the frame and capture photos that otherwise might have been missed. Its 19-57mm focal length range and flexible pan-and-tilt zoom lens offer a broad field of view of 340˚ horizontally and 110˚ vertically to follow the action.
Look back on a digital scrapbook of candid moments with PowerShot PX’s iOS and Android app and get recommendations from this clever camera on the strongest shots to keep. These cherished photos and videos are then stored on a memory card for easy upload to a computer. Manually control the camera with the app to compose the perfect shot and capture images from a distance, all without the need to run back and forth to check the device. Families can even customise automatic shooting settings, angle the lens to snap pictures in their own style and select familiar faces within the app to increase priority when shooting. The PowerShot PX can also double as a webcam with the use of the PC webcam utility app.
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