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Review: Moto Z and Moto Mods

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EditorsChoiceVarious companies have tried the modular trick for their smartphones in the past. While have some have been moderately successful, others have abandoned the thought after years of research. Lenovo launched the Moto Z and the Moto Mods at a global launch event in San Francisco a few months ago, and we got the review units a couple of weeks ago for a test drive.

One look at the device and you realise the kind of research that went into creating the Moto Z and the accompanying Mods. The Moto Z is one of the thinnest premium Android phones we have seen in a while. At just 5.2mm in thickness, the Moto Z feels incredibly thin to hold. The entire phone is made from military aircraft-grade aluminum and stainless steel.

The Moto Z just oozes style from all angles. On the front of the device, you will find a 5.5-inch Quad HD AMOLED display, which is quite crisp and delicious to look at. Colours just pop out of the screen and it provides great viewing angles, even under bright sunlight. The phone uses USB Type-C to charge and sync the data and oh, it does not come with a 3.5mm audio jack. Instead, Lenovo packs in a USB Type-C to 3.55mm dongle along with the device.

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Under the hood, the Moto Z comes packed with a Qualcomm Snapdragon 820 processor, with 4GB of RAM. Internal storage is offered in two variants – 32 GB or 64 GB. In addition, the phone can let you expand the internal storage by up to 2 TB, through use of a micro SD card.

In terms of imaging, the Moto Z accompanies a 13MP camera on the back with optical image stabilization and laser autofocus. There is also a 5MP front-facing camera that features a wide-angle lens, for snap up all the selfies to your heart’s content. The front camera also features a flash module of its own, to ensure you end up with superb selfies even in low light.

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The stand out feature of the Moto Z is of course the Moto Mods and the customisation on this one is not about how the phone looks like after you snap the Mods on, but what your phone can do. There are four Moto Mods available on the market and we received three of those for review along with the Moto Z.

While one Mod can give your phone a meatier battery, another can turn it into a boombox for your weekend getaway. With another you could transform your Moto Z into a video projector, while another will give you a Hasselblad True Zoom camera right on your phone.

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Once you snap the Moto Mods on, you do see a layer of bulk on the phone’s back. And these Mods are not cheap. But Motorola’s magnetic approach on the modular ecosystem is much better and simpler than those attempted by other brands to make the modular ecosystem happen.

The JBL SoundBoost Moto Mod lets you enjoy your music in style by giving the Moto Z a boost with powerful stereo sound. The Mod also comes with a built-in kickstand that lets you rest the smartphone on a flat area to enjoy videos on the smartphone. The JBL SoundBoost also offers an extra 10 hours of battery life – so you don’t have to worry about running out of battery life on the Moto Z. The JBL SoundBoost Mod was quite loud and clear when it came to audio performance.

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The Moto Insta-Share Projector Mod snaps onto the Moto Z, thus allowing you to project photos and videos onto a flat surface in big screen mode. The Mod projects up to 70-inches in display size and comes with built-in battery that provides users with up to one extra hour of screen time before using the Moto Z’s battery.

And our favourite was the Hasselblad True Zoom Mod, which attempts to completely transform mobile photography, and succeeds in a few areas, in doing so. The Mod adds advanced imaging capabilities to the Moto Z – it features 10x Optical Zoom and a Xenon flash, and allows you to shoot in RAW format. The Mod also offers you physical shutter and zoom controls. Images and videos shot using this Mod were quite good even under low light conditions.

The Moto Z also comes with water-repellant coating, which shields the phone from rain, splashes or spills that might come in its way. In terms of performance, the device’s 2.2GHz quad-core Snapdragon 820 processor works smoothly and swiftly. The camera launches quickly whenever I flicked my wrist. I could also swipe fluidly from one home page to another and my fingerprint unlocked the phone almost immediately.

On the whole, the Moto Z is a reliable and powerful device that can stand up to most of the top-of-the-line phones. In terms of modular ecosystem, the Moto Z is the best phone we have seen on the market yet. It thus wins Review Central’s Editors’ Choice award for the modular smartphone category.

Price:
Moto Z (with JBL SoundBoost Mod and Moto Style Shell): AED 2599
Moto Insta-Share Projector Mod: AED 1,299
JBL SoundBoost Mod: AED 399
Hasselblad True Zoom Mod: AED 999

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Digital Cameras

Sony Launches New FE 85mm F1.4 GM II Lens

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Sony Middle East and Africa announces the FE 85mm F1.4 GM II (SEL85F14GM2) a premium lens offering a supreme blend of high resolution and stunning bokeh with fast autofocus (AF) in a compact body. This is a second-generation lens that inherits the optical design that achieved a high-level fusion of bokeh and resolution that was highly praised in the first-generation model and generously incorporates the latest technology. When paired with the latest Sony Alpha series cameras, it is an ideal option for a wide variety of creative uses in both photography and videography, including portraiture, wedding, travel, and cinematic video.

The advanced and refined optical design and elements of the FE 85mm F1.4 GM II bring together appealing bokeh and enhanced high resolution, making it ideal for portrait photography. Packed with two XA (extreme aspherical) and two ED (extra-low dispersion) lenses, the state-of-the-art optical design effectively suppresses aberrations. This combination offers corner-to-corner resolution and rendering, resulting in outstanding image quality. Moreover, Sony’s original Nano AR Coating II technology effectively subdues flare and ghosting for clear, crisp images. The 11-blade circular aperture and optimisation of spherical aberration during the design and manufacturing process provide the beautiful, soft bokeh that is the hallmark of the G Master series.

The FE 85mm F1.4 GM II’s AF is agile, maximising the speed advantage of advanced camera bodies. For stills, it is up to 3 times faster compared to the previous model, tracking moving subjects with high precision. It keeps up flawlessly with the Alpha 9 III’s 120fps continuous shooting, and subject tracking performance is improved by as much as 7 times. Compared to the current 85mm F1.4 GM1, the weight of the FE 85mm F1.4 GM II (642 grams) is approximately 20% lighter and 13% smaller in volume, which is achieved through the latest mechanical technology and optical design. The FE 85mm F1.4 GM II has a filter diameter of φ77 mm, a diameter of 84.7 mm and a length of 107.3 mm.

For smooth movie creation at F1.4, the FE 85mm F1.4 GM II has an XD linear motor. Focus breathing is minimal, and in-body focus breathing compensation is supported. It has two customisable focus hold buttons and an AF/MF switch offers flexible operability, while an independent aperture ring and Linear Response MF focus control provide the kind of intuitive control that creative shooting demands. The front lens element features a fluorine coating, which makes it easy to remove fingerprints, dust, oil, and other contaminants from the lens surface. The dust and moisture-resistant design provides extra reliability for outdoor use in challenging conditions.

The FE 85mm F1.4 GM II will be available in the Middle East from September 2024.

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Creator Tools

Sony Unveils Next-Gen ZV-E10 II Vlogging Camera with New Lens Kit

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Sony Middle East and Africa has launched the ZV-E10 II, the successor to their popular ZV-E10 vlogging camera. The new model builds on the strengths of the original while adding improved performance and features for content creators. The ZV-E10 II boasts a new 26-megapixel sensor and the latest BIONZ XR image processing engine for better image quality. Autofocus and video capturing have also been enhanced, with features like a new vertical format user interface and improved battery life.

The camera offers two key functions for creating professional-looking content: Creative Looks and Cinematic Vlog Setting. Creative Looks provides a variety of presets for different looks, while Cinematic Vlog Setting automatically adjusts settings for a cinematic feel.

Key Highlights:

  1. Upgraded 26MP Exmor R CMOS sensor and BIONZ XR processor
  2. Improved autofocus and video capturing
  3. Cinematic Vlog Setting for Automatic Video Optimization
  4. Vertical shooting mode with a rotating user interface
  5. Upgraded battery for extended recording time
  6. Compact and lightweight design

The ZV-E10 II camera body will be available in selected countries from July 2024. Sony also announced the E PZ 16-50mm F3.5-5.6 OSS II lens, a compact zoom lens ideal for the ZV-E10 II. This lens is lightweight, offers good image quality, and features built-in image stabilization. The E PZ 16-50mm F3.5-5.6 OSS II will be available in black in selected countries from July 2024.

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Digital Cameras

Canon Adds New Cinema RAW Light Recording Formats to EOS C500 Mark II Via Firmware Update

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Canon Europe has announced the release of a new free-of-charge firmware update for the EOS C500 Mark II, further enhancing the camera’s professional functionality. The firmware update adds 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. Previously made available for the EOS R5 C and EOS C70, this highly requested feature allows users to select a scalable range of internal RAW recording data rates that either further enhance the fidelity of the sensor output or reduce file sizes – all while maintaining the high-quality 12-bit colour information.

The EOS C500 Mark II features a 5.9K full-frame sensor, internal RAW recording, interchangeable lens mount and highly configurable modular design. The camera is a popular choice for television and cinematic productions due to its impressive image quality, extensive connectivity, and compact body. 

Aron Randhawa, Senior Product Specialist at Canon Europe, said, “Cinema RAW Light is continually evolving and has a clear advantage over heavily compressed formats, especially for colour grading and VFX pipelines. All three scalable new formats are 12-bit, even at higher frame rates, with no chroma subsampling, enabling cinematographers to unleash the full capability of their production camera.”

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