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Digital SLR Cameras

Nikon Launches its First Regional Experience Zone and the Z6

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Nikon has launched its new mirrorless camera Z6 aimed at the video market. The company also announced the opening of its first-ever ‘Nikon Experience Zone’ at Grand Stores in Garhoud, Dubai, UAE. 

The Nikon Z6 records 3840 x 2160 (4K UHD) video at up to 30 frames per second (progressive) and can also record at 25p and 24p frame rates. It can also record 1920 x 1080 (Full HD) video at multiple frame rates and there is also a Full HD slow-motion video recording feature, which allows for 4x (30p and 25p) and 5x 24p slow-motion videos. 

Z6 records in MOV and MP4 formats and utilizes H.264/MPEG-4 video coding. The camera offers a variety of usability upgrades like focus peaking during 4K video recording, organic exposure levels through the electronic viewfinder and quiet adjustments using the NIKKOR S-Line lenses’ new control ring. The Nikon Z6 performs full-pixel readout for full sensor width 4K UHD video recording and thus does not perform pixel binning or cropping. It reads 6K video and then resamples to 4K output, resulting in impressive image quality. 

Adding to the Z clan is the new NIKKOR Z 14-30mm f/4 S, an ultra-wide-angle zoom lens that packs superior optical performance along with added portability, agility and operability. The new Z-mount system that fully utilises short flange focal distance, the NIKKOR Z 14-30mm f/4 S is part of the S-Line1 lenses and is a compact and highly practical lens for landscape and cityscape photography. Covering a dynamic ultra-wide angle of 14mm to a wide angle of 30mm with a constant maximum aperture of f/4 throughout the range, the lens is versatile for capturing a variety of scenes without the need for a lens change. 

Furthermore, the Nikon Experience Zone allows the consumers to “touch and try” entire range of Nikon’s imaging solutions, from contemporary point-and-shoot cameras to highly-coveted DSLRs and everything in between under professional guidance. The zone will also demonstrate a range of Nikkor lenses for customers to experience.

The first of its kind in UAE, the Nikon Experience Zone has been designed to let potential customers experience the quality and technology of the Nikon products first hand. “By creating a zone, we want to be physically closer to our customers and give them an opportunity to interact with our devices like never before. Our larger objective is to introduce customers to the Nikon products and technology as well as allow them to personally use the camera(s). The experience zone not only creates an experience but also allows one to acquire in-depth knowledge and understanding of our various lenses, cameras and other gears. We have a lounge section for those who are part of the Nikon Premium Membership program, and there is a Wall of Fame for some outstanding photographs that have been captured using a Nikon device as well. One needs to visit the zone for the complete experience as there are many exciting preferments for our consumers,” said Narendra Menon, Managing Director of Nikon Middle East FZE. 

This one-of-its-kind experience zone in the UAE, offers visitors incredible interactive opportunities with the brand and its imaging solutions. Another charm at this zone is the ‘Wall of Fame’, a section that celebrates award-winning photography work by amateurs to professional to inspire every visitor. The zone will also be utilized to host workshops and display photography work. Designed to furnish an intimate experience with the latest imaging technology from Nikon, the zone is a creative lounge for visual content creator to explore. 

Providing best of comforts for the photographers and videographers, the Nikon Experience Zone has an ‘Editing Room’ that can be used by content developers for editing purposes. A set-up of Macintosh screens and editing software are made available and aspirants can just walk-in to use the facility at no cost. The zone also has a ‘Classroom’ with a capacity of 30 people which gives students an opportunity to learn and explore photo/video content creation to the fullest. 

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Digital Cameras

Canon Launches EOS R3 and new RF Lenses

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Canon has launched the new EOS R3 – a powerhouse for sports photography and reportage. Blending tradition with cutting-edge technology, the EOS R3 offers all the familiarity and speed of Canon’s renowned EOS-1 series, with the innovation and versatility of the pioneering EOS R System. Designed using feedback from the most demanding professional press and sports photographers, the EOS R3 features over 100 improvements upon Canon’s mirrorless and DSLR models.

The result is a camera that streamlines workflows and takes the connection between camera and photographer to new levels, for unbeatable speed and responsiveness. With a brand new, innovative 24.1 megapixel sensor, the EOS R3 gives the optimal balance of performance, resolution, and speed to offer news and sports photographers a camera to outperform and outpace the competition. Leveraging the new 24.1-megapixel backside-illuminated stacked CMOS sensor, the EOS R3 offers lightning-fast image capture and enhanced responsiveness.

The powerful sensor almost entirely eliminates rolling shutter distortion and with a rapid shutter speed, offering a range of 30 seconds to 1/64000th of a second, it helps sports photographers freeze the fastest of subjects. When using the electronic shutter, photographers can shoot up to 30fps with AE and AF tracking even when shooting RAW files, as well as options for shooting at 15fps and 3fps. The electronic shutter can also be used with both Canon and third-party flashes for the first time. Removing the traditional weaknesses of electronic shutters, Canon has introduced Flicker detection and a High-Frequency anti-flicker shooting mode to detect and correct flickering light sources and prevent banding or colour and exposure issues.

Capable of focusing in 0.03 seconds, the EOS R3 is the fastest EOS R series camera yet – perfect for capturing the unpredictable action of sport and reportage. Powered by Dual Pixel CMOS AF II, the EOS R3 features an improved Deep Learning algorithm, offering AF tracking including human and animal eye, body, and face detection as well as head detection for humans in both stills and videos. Designed with motorsports photographers in mind, Canon has also introduced a vehicle tracking function, to expertly track motorbikes, open cockpit Formula cars as well as GT and rally cars – with the ability to prioritise the vehicle or the driver’s helmet. Eye, face, head, and body detection are now available in all AF modes, as well as a new Flexible Zone allowing users to select the size and shape of the Zone AF area. The EOS R3 sets a new standard for its ability to focus in lighting conditions as low as – 7.5 EV – making this one of the most capable low-light cameras available.

To maximise control over all these AF options the EOS R3 offers three different ways to select the AF points: the quick smart controller, the precise multi-controller, and the instinctive Eye Control AF. Eye control AF provides a more natural connection between the camera and the photographer. This intuitive and pioneering AF point selection method moves the focus point to where the photographer looks. In situations where the story can quickly unfold, this allows photographers to instinctively focus on the action with just a look. Enhancing the ability for handheld shooting and steady movie production on the move, the 5-axis In-Body Image Stabilizer can combine with optical Image Stabilizer in selected RF lenses and offers industry-leading performance with up to 8-stops.

For professional photographers shooting in the field, it’s not just about the speed of capturing a moment but also the speed of getting it to the news desks and editors that matters. With a number of professional connectivity options including built-in version 5.0 Bluetooth and 5 GHz Wi-Fi, the EOS R3 streamlines workflows and simplifies the connection to a smartphone or Wi-Fi network. Ideal for sport arenas, the built-in Gigabit Ethernet port enables a high speed wired connection. And, for when speed really matters, photographers can transmit images to clients via FTP. For existing EOS R5 and EOS-1D X Mark III users, network settings can be shared between the three cameras.

Users can remotely control the camera from a mobile device using the Canon’s Camera Connect App or using the Browser Remote function via an ethernet connection. A popular feature from the EOS-1D X Mark III, the Browser Remote function also enables users and head offices to remotely change metadata, browse and download images. Users will also be able to use Canon’s Mobile File Transfer (MFT) app – a mobile application for professional photographers that transfers images over a mobile device to an FTP/FTPS/SFTP server.

Future enhancements of the app will include text conversion of voice memos, enhancing the ease of use for professionals. A new smartphone holder accessory for the EOS R3, the Smartphone Link AD-P1, allows users to mount their iOS or Android device on top of the Multi-Function Shoe Adapter and easily transmit images via the new MFT app. The Canon Camera Connect app now enables the EOS R3 firmware to be updated via your phone – a first for an EOS camera.

As with the EOS R5, the EOS R3 takes Canon’s hybrid offering to the next level – meeting the demand for photographers to capture the action in both high-quality stills, and impressive high-resolution video. It offers powerful video capability, capturing 6K 60p RAW resolution footage, which offers 50 per cent more detail than 4K. With 6K CRM RAW files, exposure and white balance can be corrected post capture to ensure stunning image reproduction. 4K footage up to 60p is oversampled from 6K guaranteeing the highest possible 4K movie quality. Great for high speed and dynamic sports, the EOS R3 captures 4K 120p footage for stunning 4K resolution slow motion. It’s now possible to record up to six hours of regular video or 1.5 hours at high 119.88/100p frame rates.

At its core, the EOS R3 is designed to help photographers outpace their competitors – and the same is true for video. To reduce the file size and speed up video workflows, CRM light or MP4 footage can be recorded in All-I, IPB, or the smaller IPB light option, allowing users to select from a range of bit rates to meet their needs and storage requirements. Dual card slots, including a UHS-II SD card slot and the ultra-high-speed CFexpress make shooting 6K RAW video possible and support simultaneous recording to both cards in MP4, providing a fail-safe backup of vital footage.

Canon’s renowned Canon LOG 3 enables 10-bit internal recording, to achieve a greater dynamic range or 10bit HDR PQ which minimises the need for editing or grading footage in post-production. Excellent for roving reporters, the EOS R3 features Canon’s new Multi-Function Shoe and is compatible with the newly launched Directional Stereo Microphone DM-E1D – a camera-powered directional stereo microphone using digital processing – and the TEAC Tascam CA-XLR2d-C XLR adapter which enables two channel recording with professional XLR microphones.

The EOS R3 employs a new lightweight, dust and water-resistant magnesium body for use in harsh conditions. Weather resistance can be also maintained when using existing Speedlites, by connecting them to the newly announced Multi-Function Shoe Adapter AD-E1. The EOS R3 also powers the new, compact Speedlite Transmitter ST-E10 through the Multi-Function Shoe, which gives photographers the ability to remotely control multiple radio Speedlites.

Canon has also announced the launch of two new RF lenses, designed to help the next generation of enthusiasts and content creators curate a kit bag with great potential, at a low cost. These two lightweight and compact lenses include Canon’s first ultra-wide prime lens in the EOS R line-up, the RF 16mm F2.8 STM, and the RF 100-400mm F5.6-8 IS USM – a telephoto zoom lens that brings the photographer closer to the subject. The versatile RF 16mm F2.8 STM meets the growing demand for vlogging, while also offering a lens that’s perfect for landscape, architectural, and astrophotography. Helping photographers bridge the gap to distant subjects, the RF 100-400mm F5.6-8 IS USM is ideal for sports and wildlife photography.

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Digital SLR Cameras

Canon Reveals its Widest RF Lens to Date Offering a 14mm Focal Range

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Canon has announced the launch of the RF 14-35mm F4L IS USM, its widest RF lens to date. The zoom lens completes its RF trinity of kitbag-friendly, compact f/4 lenses which together offer enthusiasts and professional photographers a versatile focal range covering 14-200mm. With quiet autofocus, 5.5-stop optical image stabilisation, and a 14-35mm focal length incorporating aspherical and UD elements for crystal clear results, the RF 14-35mm F4L IS USM is the perfect lens for shooting landscape and architectural photography, as well as vlogging where content creators need a stable and broad field of view.

The RF 14-35mm F4L IS USM joins Canon’s expanding range of class-leading RF lenses, built on the firm foundations of the EOS R System. When coupled with the innovative camera bodies, the full line-up of RF lenses deliver unrivalled optical performance and unlocks new possibilities for photographers and videographers. Enabled by the RF Mount communication system, this lens takes advantage of the combined lens and in-body image stabilisation on compatible EOS R-series cameras. It achieves a 7-stop benefit when used with the Canon EOS R5 or EOS R6, with autofocus and control – making it a practical powerhouse for both stills and movie shooting.

Bengü Topçu, Regional Marketing Director – B2C Business Unit at Canon Middle East, said, “We are excited for film and photography enthusiasts to experience this new addition to Canon’s expanding range of class-leading RF lenses. Through our extensive investments in lens design and high-precision manufacturing technology, L308 offers advanced features which reduce aberration and create pin-sharp images. It comes with an Optical Image Stabilizer feature, making it suitable for both stills and movie shooting. This is perfect for shoots under any weather conditions whether in an indoor or outdoor landscape.”

Taking advantage of the EOS R System’s large-diameter mount, the RF 14-35mm F4L IS USM achieves a powerful combination of wider coverage, high image quality – all in a compact optical system. Weighing just 540g, the RF 14-35mm F4L IS USM stands alongside the compact, lightweight RF 24-105mm F4L IS USM and RF 70-200mm F4L IS USM lenses to deliver a range of f/4 lenses at different optical lengths that can suit almost any photography need. As with the other lenses in this trinity, it shares the same 77mm filter thread and compact form factor, which makes them convenient travel companions – users can be confident, capturing a range of perspectives whilst reducing the size and weight of the kit they carry with them.

Offering a broad focal range, the RF 14-35mm F4L IS USM affords photographers the flexibility to capture a multitude of different subjects, including landscape and architecture. The lens features a class-leading minimum focus distance of 0.2m and a 0.38x magnification thanks to its rear focusing system. This makes the RF 14-35mm F4L IS USM particularly effective in confined spaces, enabling photographers to squeeze an entire scene into the image.

The RF 14-35mm F4L IS USM employs an advanced optical design of three ultra-low dispersion and three glass moulded aspherical lens elements – one of which is both UD and aspherical – that builds on Canon’s 50 years of research and development into aspherical lenses for interchangeable lens cameras. Through extensive investment in lens design and high-precision manufacturing technology, these components feature a non-spherical curvature that gathers light at a single point to reduce aberration and create pin-sharp images, replicating the image quality of Canon’s renowned prime lenses.

These elements ensure the highest resolution from edge to edge of the image, which is particularly challenging in wide-angle lenses where the presence of spherical aberrations greatly increases. Combined with Canon’s advanced proprietary Subwavelength Structure Coating (SWC) and Air Sphere Coating (ASC), which prevent ghosting and flare, the RF 14-35mm F4L IS USM achieves exceptional sharpness and contrast.

Delivering the very best qualities of the L-series, the RF 14-35mm F4L IS USM gives photographers and videographers consistent, precise performance. The rear focus design that enables the close focusing ability of this lens also reduces focus breathing to less than a third of the EF 16-35mm f/4L IS USM. Its Nano USM focus motor delivers fast, smooth, and quiet autofocus; while the wide-angle, fixed f/4 aperture stays constant over the full focal length range ensuring there is no variation in shutter speed or ISO when zooming.

When combined with the 5.5-stop Image Stabilizer (IS), increasing to 7-stops when used with Canon’s EOS R5 and EOS R6, the RF 14-35mm F4L IS USM is an essential tool for videographers using the EOS R System, providing steady footage throughout the entire video. Photographers can shoot handheld, even at very low shutter speeds. The RF 14-35mm F4L IS USM employs a control ring to give users fast, direct control of the TV, AV, and ISO settings without the need to delve into menus or take their eye away from the viewfinder. Along with the full-time manual focus ring, which leverages L-series weatherproofing for a robust design, photographers and filmmakers can confidently shoot in all conditions.

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Digital SLR Cameras

Sony MEA Intros Three New High-Performance G Lenses

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Sony has announced three outstanding G Lenses to its impressive E-mount line-up – the FE 50mm F2.5 G (model SEL50F25G), FE 40mm F2.5 G (model SEL40F25G), and FE 24mm F2.8 G (model SEL24F28G). All three lenses deliver the high image quality and beautiful bokeh in a lightweight and compact design, perfect for photographers and videographers alike who strive for standout shots and easy mobility.

When paired with a Sony full-frame camera or APS-C, all three lenses boast high resolution, intuitive operability and fast, precise and quiet autofocus capabilities. The lenses have been introduced as the perfect set for photo and video for a wide range of uses including snap shooting, portraiture and landscape shots.

“At Sony we are constantly innovating to produce the tools that creators need to capture the beauty of this world” said Murat Gebeceli, Head of Digital Imaging, Sony Middle East & Africa. “With superb resolution and mesmerising bokeh, all housed in a compact and sophisticated design, the FE 50mm F2.5 G, FE 40mm F2.5 G and FE 24mm F2.8 G enable users to experience the joy of owning lenses that capture different perspectives of the same scene”. These three prime lenses each deliver a focal length for any shoot with the 50mm best for portraits, the 40mm optimal for still or movie snap shooting, and the 24mm ideal for landscapes. With their intuitive operability and superb build quality they are a fantastic set of three.

What’s more, the three lenses are of the same size (68mm diameter x 45mm), have the same filter diameter (49mm) and are almost the same weight (FE 50mm F2.5 G 174g, FE 40mm F2.5 G 173g and FE 24mm F2.8 G 162g) and internal focus so lens interchange is easy – even when using a gimbal. They feature the same stylish exterior design, but focal lengths are clearly marked for quick switches.

The FE 50mm F2.5 G, FE 40mm F2.5 G, and FE 24mm F2.8 G deliver the high image quality of a G Lens, whilst being compact and lightweight. The image quality is achieved by state-of-the-art optics using aspherical elements and ED (Extra-low Dispersion) glass elements, delivering high resolution and suppressing colour fringing. The aspherical elements ensure high-resolution performance in every corner of the image, even from the widest aperture with shallow depth of field. Enjoy shooting in high resolution using a compact design.

The stunning bokeh of the G lens is achieved with the optimisation of a circular aperture and is delivered at the widest point of each lens (FE 50mm F2.5 G F2.5 at 50mm, FE 40mm F2.5 G F2.5 at 40mm, and the FE 24mm F2.8 G F2.8 at 24mm). All three lenses were carefully designed for optimum mobility and are compact and lightweight enough to suit any location. Whether shooting with a full-frame or APS-C body for portraiture, landscape, snapshots or movies with a gimbal and more, the size and weight are balanced perfectly. Experience the benefits of interchanging lenses to suit any scene or subject.

As well as the 50mm angle of view is perfect for portraits and snap shooting stills or movies, the FE 50mm F2.5 G has a minimum focus distance of 0.35m (AF) / 0.31m (MF) and a maximum magnification of 0.18x (AF) / 0.21x (MF), meaning it’s ideal for a variety of scenes and objects. The FE 40mm F2.5 G 40mm angle of view is ideal for snap shooting stills or movies with a minimum focus distance of 0.28m (AF) / 0.25m (MF) and a maximum magnification of 0.20x (AF) / 0.23x (MF). Particularly for movie shooting, 40mm is the preferred angle of view as it corresponds to the natural field of vision and for stills, 40mm allows subjects to stand out against backgrounds.

With a wide 24mm angle of view, the FE 24mm F2.8 G lens is perfect in situations where the background is included, such as gimbal or selfie shooting with a grip attached. And with a minimum focus distance of 0.24m (AF) / 0.18m (MF) and maximum magnification of 0.13x (AF) / 0.19x (MF), you can also shoot close-ups with a blurred background.

Despite their compact size, the lenses feature a focus hold button, focus mode switch, aperture ring, and Aperture click switch for ideal operability. The focus hold button is customisable from the camera menu and can be assigned a function that the user prefers. The aperture ring provides a more intuitive and direct feel, compared to operating the aperture from the camera body when shooting either stills or movies.

The aperture also provides switchable click stops that can be turned off for movie shooting using the aperture click switch. Furthermore, with Linear Response MF, the focus ring responds precisely and linearly when focusing manually so control feels immediate and intuitive, directly reflecting the intent of the photographer and allowing delicate focus adjustments.

The aluminium exterior and engraved Sony logo ensure a premium, sophisticated finish as well as increased strength and durability. Conveniently, the diameter of the filter threads on the hood and the lens barrel are equal (49mm), allowing the same cap and filter to be attached to both the hood and the lens barrel. The lenses are also designed to be dust and moisture resistant to ensure usability in any outdoor environment.

The FE 50mm F2.5 G, FE 40mm F2.5 G, and FE 24mm F2.8 G feature two linear motors to deliver fast, precise autofocus (AF) with excellent tracking performance which is maintained despite instantaneous changes in subject motion – making the lens ideal snapping moving subjects. The AF is also quiet, so works for both still and movie shooting.

The FE 50mm F2.5 G, FE 40mm F2.5 G, and FE 24mm F2.8 G will be available in selected countries in the Asia Pacific from April 2021.

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