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Canon Developing the EOS-1D X Mark III

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Canon is developing the EOS-1D X Mark III – the successor to the EOS-1D X Mark II. “Perfect for sports and wildlife, the flagship DSLR is being developed using feedback from the worldwide community of EOS-1D X and EOS-1D X Mark II photographers, including extensive real-world testing with professional photographers globally. Boasting Canon’s rich heritage creating optically excellent products, the EOS-1D X Mark III offers an impressive step change in autofocus, with dramatically improved image quality, video and communications. Using the camera, professionals have the confidence they will get ‘the shot’ and can deliver it at a competitive speed – faster than ever before – ideal for the increasingly fast-paced industry,” the company said in a statement.

Canon’s DSLRs continue to dominate professional photography. Speed, autofocus and high-speed communications are at the heart of the EOS-1D X Mark III making it ideal for professionals – especially in sports or wildlife – that is under pressure to capture and deliver optically excellent images of action that could be over in a fraction of a second. The EOS-1D X Mark III is blisteringly fast – offering exceptional precision, reliability, high-performance autofocus, and subject tracking – giving photographers a greater choice when it comes to the perfect shot selection.

The camera’s new autofocus algorithm improves stability and tracking – with both optical viewfinder and Live View shooting – using deep learning technology to ensure accurate focus tracking for every shot. When using the optical viewfinder the EOS-1D X Mark III makes use of a new autofocus sensor offering approximately 28x the resolution in the centre of the sensor than the one in the EOS-1D X Mark II – the current go-to camera for professional photographers.

Richard Heathcote, Senior Sports Photographer, Major Events, Getty Image said, “The new autofocus algorithm in the EOS-1D X Mark III takes subject tracking to a new level, with an intuitive controller and accurate results. It delivers as you would expect from the ultimate professional sports photography camera.”

Offering expanded AF brightness range with greater precision, the EOS-1D X Mark III has a range of autofocus capabilities enabling photographers to get ‘the shot’. In Live View users can make use of 525 AF areas using the Dual Pixel CMOS AF system covering approximately 90×100 percent of the image sensor. Using the same AF algorithm as when shooting with the optical viewfinder, it ensures enhanced flexibility when framing subjects, whether it’s a race car on a track or a bird in flight. The EOS-1D X Mark III supports significantly faster frame rates with full AF and AE, using either the optical viewfinder (up to approx. 16fps mechanical shutter) or Live View (up to approx. 20fps mechanical or electronic shutter), in addition to this the camera’s CFexpress card slots enable five times the RAW burst depth of its predecessor.

A clear example of Canon’s commitment to pushing the boundaries of innovative imaging with optically excellent technology, the EOS-1D X Mark III supports an all-new, Canon-developed, CMOS sensor, and DIGIC processor, delivering greater image quality, at even higher ISOs, with the ability to capture stills in 10bit using the HEIF file format. The power of 4K resolution brings stories to life with the capabilities to shoot cinematically with 4K movies including 4K60p with 10bit Canon Log internal recording. Reducing the amount of equipment needed for professionals on any given project, the EOS-1D X Mark III also shoots in RAW for both movies and stills.

For professionals, content delivery is just as important as image capture – the EOS-1D X Mark III makes it easy, featuring built-in Wi-Fi and low-energy Bluetooth in addition to GPS. To keep pace with ever-shortening deadlines, the camera transfers data at twice the speed of the EOS-1D X Mark II when using the built-in ethernet, or the new optional wireless file transmitter – the WFT-E9 – which is also compatible with the Canon’s recently launched Cinema EOS C500 Mark II camera. Coupled with simpler network set-up, the EOS-1D X Mark III greatly enhances the professional workflow.

Existing EOS-1D series users will be comfortable handling the EOS-1D X Mark III, allowing seamless navigation with trusted ergonomics – whilst the magnesium alloy body offers the durability expected from Canon’s EOS-1 cameras. Professional photographers can expect the same impressive build-quality as the EOS-1D X Mark II – phenomenal weather-sealing allows the camera to stand up to harsh conditions, including wind, rain, and humidity. With incredible low-light shooting capabilities, the EOS-1D X Mark III’s illuminated buttons allow for precision operation in challenging, dark and dimly-lit conditions.

The camera also offers a new additional control for selecting AF points, built into the AF-ON button, allowing photographers to change AF points on-the-fly for the best composition – further simplifying their work. Dramatically improved battery life – with the same LP-E19 – also allows professionals to shoot for longer periods of time, without having to change batteries, reducing the chance of missing a shot.

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Digital Cameras

Sony Launches New FE 85mm F1.4 GM II Lens

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Sony Middle East and Africa announces the FE 85mm F1.4 GM II (SEL85F14GM2) a premium lens offering a supreme blend of high resolution and stunning bokeh with fast autofocus (AF) in a compact body. This is a second-generation lens that inherits the optical design that achieved a high-level fusion of bokeh and resolution that was highly praised in the first-generation model and generously incorporates the latest technology. When paired with the latest Sony Alpha series cameras, it is an ideal option for a wide variety of creative uses in both photography and videography, including portraiture, wedding, travel, and cinematic video.

The advanced and refined optical design and elements of the FE 85mm F1.4 GM II bring together appealing bokeh and enhanced high resolution, making it ideal for portrait photography. Packed with two XA (extreme aspherical) and two ED (extra-low dispersion) lenses, the state-of-the-art optical design effectively suppresses aberrations. This combination offers corner-to-corner resolution and rendering, resulting in outstanding image quality. Moreover, Sony’s original Nano AR Coating II technology effectively subdues flare and ghosting for clear, crisp images. The 11-blade circular aperture and optimisation of spherical aberration during the design and manufacturing process provide the beautiful, soft bokeh that is the hallmark of the G Master series.

The FE 85mm F1.4 GM II’s AF is agile, maximising the speed advantage of advanced camera bodies. For stills, it is up to 3 times faster compared to the previous model, tracking moving subjects with high precision. It keeps up flawlessly with the Alpha 9 III’s 120fps continuous shooting, and subject tracking performance is improved by as much as 7 times. Compared to the current 85mm F1.4 GM1, the weight of the FE 85mm F1.4 GM II (642 grams) is approximately 20% lighter and 13% smaller in volume, which is achieved through the latest mechanical technology and optical design. The FE 85mm F1.4 GM II has a filter diameter of φ77 mm, a diameter of 84.7 mm and a length of 107.3 mm.

For smooth movie creation at F1.4, the FE 85mm F1.4 GM II has an XD linear motor. Focus breathing is minimal, and in-body focus breathing compensation is supported. It has two customisable focus hold buttons and an AF/MF switch offers flexible operability, while an independent aperture ring and Linear Response MF focus control provide the kind of intuitive control that creative shooting demands. The front lens element features a fluorine coating, which makes it easy to remove fingerprints, dust, oil, and other contaminants from the lens surface. The dust and moisture-resistant design provides extra reliability for outdoor use in challenging conditions.

The FE 85mm F1.4 GM II will be available in the Middle East from September 2024.

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Digital SLR Cameras

Canon Pushes Boundaries with Next-Gen EOS R1 and R5 Mark II Mirrorless

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Canon Europe raises the bar for professional photography and videography with the launch of the highly anticipated EOS R1 and EOS R5 Mark II mirrorless cameras. These flagships for the EOS R System boast unparalleled performance, streamlined workflows, and intuitive user experiences.

EOS R1: Built for Uncompromising Speed and Accuracy
The EOS R1 inherits the legacy of the EOS-1 series, renowned for its reliability and high performance. It’s a dream camera for news and sports photographers, capturing the decisive moment every time.

  • Groundbreaking Autofocus: Introducing a revolutionary new Cross-Type AF system, the EOS R1 excels in challenging situations, tracking subjects through nets, picking out smaller details, and focusing on vertical details in low-horizontal-detail scenarios.
  • Unmatched Speed: Capture fast-paced action with a silent electronic shutter offering a staggering 40fps with AF tracking and 20 frames of pre-continuous shooting.
  • Exceptional Image Quality: Despite its high speed, the 24.2MP sensor delivers exceptional detail. Deep Learning image upscaling and noise reduction provide in-camera options for 96MP images.
  • Hybrid Multimedia Powerhouse: Shoot 6K resolution at 60fps, 4K at 120fps, or Full HD at a remarkable 240fps for smooth slow-motion capture.
  • Built to Endure: The weather-resistant body with a renewed texture and integrated vertical grip ensures durability in harsh environments.

EOS R5 Mark II: Unmatched Versatility for Hybrid Creators
The EOS R5 Mark II builds upon the legacy of the EOS R5, pushing the boundaries for hybrid photography and videography.

  • Exceptional Resolution and Speed: The new back-illuminated, stacked sensor boasts a stunning 45MP resolution. Capture fast-moving subjects with the 30fps electronic shutter and low rolling shutter distortion. Pre-continuous shooting captures 15 frames before the shutter press, ensuring you never miss the moment.
  • Unleash Your Creativity: Advanced image upscaling allows for in-camera creation of stunning 180MP images with exceptional noise reduction.
  • Seamless Hybrid Functionality: Enjoy enhanced synergy with the Canon Cinema EOS line, with shared features and formats. Record stunning 8K 60p from the full sensor width with 12-bit internal RAW recording, or create captivating 4K videos at up to 120p with sound.
  • Enhanced Workflow: Streamline your post-production with video proxies, industry-standard file naming, and structured folders.
  • Compact and Durable: The lightweight magnesium alloy body features a fog-resistant, brighter viewfinder for exceptional usability, even in challenging conditions.

A New Era for EOS R
The EOS R1 and EOS R5 Mark II represent a complete professional package, offering the ultimate in speed, reliability, versatility, and practicality. Together with Canon’s expanding EOS R System cameras and RF lenses, these powerhouses solidify Canon’s commitment to delivering cutting-edge technology for all genres of photography and videography.

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Digital Cameras

Canon Adds New Cinema RAW Light Recording Formats to EOS C500 Mark II Via Firmware Update

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Canon Europe has announced the release of a new free-of-charge firmware update for the EOS C500 Mark II, further enhancing the camera’s professional functionality. The firmware update adds 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. Previously made available for the EOS R5 C and EOS C70, this highly requested feature allows users to select a scalable range of internal RAW recording data rates that either further enhance the fidelity of the sensor output or reduce file sizes – all while maintaining the high-quality 12-bit colour information.

The EOS C500 Mark II features a 5.9K full-frame sensor, internal RAW recording, interchangeable lens mount and highly configurable modular design. The camera is a popular choice for television and cinematic productions due to its impressive image quality, extensive connectivity, and compact body. 

Aron Randhawa, Senior Product Specialist at Canon Europe, said, “Cinema RAW Light is continually evolving and has a clear advantage over heavily compressed formats, especially for colour grading and VFX pipelines. All three scalable new formats are 12-bit, even at higher frame rates, with no chroma subsampling, enabling cinematographers to unleash the full capability of their production camera.”

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