Canon announced the launch of EOS R5 and EOS R6, two advanced full-frame mirrorless camera additions to the revolutionary EOS R System built on the future-proof RF Mount. The pro-level EOS R5 delivers 45-megapixel stills at up to 20fps1 and is the first full-frame mirrorless ever to record 8K RAW up to 29.97fps internally and 4K to 120p. EOS R6 is perfect for enthusiasts and professionals moving to mirrorless and looking for greater capabilities, capturing 20.1-megapixel stills at 20fps, stunning 4K video up to 60p, and Full HD at up to 120p. Nothing comes close to the speed and resolution of EOS R5 and EOS R6.
Venkatasubramanian Hariharan, Business Unit Director B2C at Canon Middle East, said: “The launch of the Canon EOS R5 and EOS R6 marks an exciting moment for us. This latest addition to the EOSR system is an innovation that will redefine the future of storytelling and is designed to meet the growing demands of storytellers around the Middle East region. At Canon, consumers are our core, and or vision, with this launch, is to help Canon users create compelling visual stories and long-lasting vivid memories.”
Next-generation CMOS sensor technology combined with high-performance RF lenses enables users to capture new levels of detail at industry-leading speeds. EOS R5 and EOS R6 can shoot up to 20fps with the electronic shutter in complete silence with full auto exposure (AE) and autofocus (AF) tracking. Users can be confident capturing action, both stills and video, in exceptional quality in any location without disturbing subjects. The mechanical and electronic first curtain shutter also delivers high-speed continuous shooting up to 12fps.
For the first time in the EOS series, EOS R5 and EOS R6 incorporate 5-axis In-Body Image Stabilisation (IBIS) providing benefits for users of all types of lenses. Designed to work collaboratively with the IS system of RF lenses, the solution has been engineered so that RF lenses and the sensor work to correct pitch and yaw with the sensor correcting X-Y and roll movements. This intelligent stabilisation system corrects at up to an incredible 8-stops – the world’s best image stabilisation – for new levels of creativity when shooting handheld at slow shutter speeds or filming without a tripod.
The wide diameter of the RF Mount ensures that light continues to reach the entire sensor all the way to the corners, even with the sensor movement introduced with in-body image stabilisation. The 54mm diameter enables RF lenses to be designed with larger image circles facilitating greater movement of the body IS system, meaning some non-IS RF lenses such as the RF 85mm F1.2L USM or RF 28-70mm F2L USM can also achieve up to 8-stops of image stabilisation.
Users of EF lenses will experience enhanced IS performance as in-body IS works with IS enabled EF lenses to provide roll and X-Y correction. Even non-IS EF lenses will benefit from the 5-axis correction provided by EOS R5 and EOS R6 in-body IS. DIGIC X processor technology at the core of EOS R5 and EOS R6 – the same technology in the coveted EOS-1D X Mark III – supports renowned next-generation Dual Pixel CMOS AF II pushing speed and reliability to unmatched levels. The world’s fastest AF focuses in as little as 0.05 seconds and EOS R5 can focus in light levels as low as -6EV and EOS R6 is the first EOS camera to offer a minimum EV for AF of -6.5EV. The high precision AF is effective in even poorly lit or low contrast shooting conditions.
The iTR AF X AF system has been programmed using deep-learning AI and face/eye detection mode ensures subjects are kept sharp even when moving unpredictably with a shallow depth of field. Even if a person turns away for a moment, their head continues to be tracked. Advanced tracking enabled by deep learning algorithms recognises faces and eyes of humans, and now includes cats, dogs and birds in both still and movie modes. EOS R5 and EOS R6 maintain high-precision focus and tracking regardless of the subject’s size, posture, orientation or direction of the face helping users to confidently shoot even the most unpredictable subjects.
With built-in Bluetooth and Wi-Fi, the EOS R5 (5Ghz Wi-Fi) and EOS R6 (2.4Ghz Wi-Fi) can be easily connected to a smartphone and networks allowing high-speed file sharing and FTP/FTPS transfer. This functionality also allows for the cameras to be remotely controlled using the Camera Connect and EOS Utility apps, tethered to a PC or Mac via Wi-Fi or high-speed USB 3.1 Gen 2. With content delivery just as important as image and video capture, the EOS R5 and EOS R6 support automatic transfer of image files from the device to the image.canon cloud platform to easily share and print images or integrate with Google Photos or Adobe Creative Cloud workflows.
EOS R5 is an unprecedented leap forward in mirrorless technology and offers the highest resolution EOS camera ever. The DIGIC X processor, CMOS sensor, and RF lenses combine to advance all aspects of image quality to achieve a resolution exceeding 45 megapixels. Up to 100% AF coverage with 5,940 selectable AF points and ISO range of 100-51,200 keep subjects razor-sharp even in extreme low light conditions. Dual-card slots support a high-speed CFexpress and SD UHS-II card, housed in a weather-resistant magnesium body.
Professionals can capture stunning 8K 12-bit RAW video internally using the full width of the sensor for a truly cinematic result with continuous eye and face AF tracking for people and animals. The EOS R5 also sets new standards for videographers shooting in 4K. Capture 4K DCI (full frame) and 4K UHD at frame rates up to 120p (119.88fps) with 4:2:2 10-bit quality, enabling high resolution, smooth slow-motion with full AF performance. Users seeking the very highest 4K quality can use the 4K HQ mode to reproduce incredible detail at frame rates up to 30p by internally oversampling 8K footage.
- 8K RAW internal video recording up to 29.97fps (non-cropped)
- 8K internal video recording up to 29.97fps (non-cropped) in 4:2:2 10-bit Canon Log (H.265) or 4:2:2 10-bit HDR PQ (H.265)
- 4K internal recording up to 119.88fps (non-cropped) in 4:2:2 10-bit Canon Log (H.265) or 4:2:2 10-bit HDR PQ (H.265)
- 4:2:2 10-bit in Canon Log or 4:2:2 10-bit HDR PQ output via HDMI at 4K 59.94fps
User demand sees the return of the multi-controller to EOS R5 in addition to touch and drag AF using the 3.2inch vari-angle touch screen with 2.1 million dot resolution. With Dual Pixel RAW also supported, correction of the focus and contrast in the background and changing the lighting in portraits is possible after capture – enhancing creative possibilities. The 0.5inch electronic viewfinder (EVF) refreshes at 120fps with 5.76 million dot resolution for a staggeringly realistic view of the world comparable to an optical viewfinder.
EOS R6, like EOS R5, showcases the amazing capabilities of the EOS R System, giving enthusiasts the potential to take pin-sharp images and movies handheld. Providing class-leading speed and full-frame quality, EOS R6 is a powerful and versatile camera far exceeding the demands of enthusiasts and semi-professionals across all genres. Sports and wildlife enthusiasts can confidently capture fast-moving action utilising the up to 20fps speed, the flexibility of up to 6,072 selectable AF points, and deep learning-based automatic face, eye, and animal AF tracking modes. The 20.1 megapixel CMOS sensor shares many technologies and performance seen with the EOS-1D X Mark III providing 100-102,400 auto ISO range enabling users to produce clean images in the toughest low light environments such as weddings and indoor events, providing additional flexibility and choice.
Enabling content creators to meet the increasing demand to produce both stunning still and moving images, the innovative EOS R6 can film in 4K UHD resolution at up to 59.94fps achieved through oversampling from 5.1K. Output incredible slow-motion footage with AF support using Full HD at up to 119.88fps. During movie shooting, zebra display can be used as a guide to exposure adjustment, particularly useful in conditions that typically result in overexposed highlights. With the option to record internally in 8-bit H.264 or 10-bit YCbCr 4:2:2 H.265 and Canon Log, users can experience ultimate post-production flexibility.
The 0.5inch 3.69 million dot EVF working up to 120fps maximum refresh rate supports minimal lag ideal for photographing sports, offering a transparent and responsive view of shooting subjects. The 3-inch vari-angle 1.62 million dot LCD screen encourages shooting from creative angles. Dual card slots allow users to input 2x SD UHS-II cards and record to both cards simultaneously, with the ability to record in different formats for safety, security and speed.
A new longer life battery supplied with EOS R5, EOS R6 and compatible with all existing cameras that use the LP-E6 series batteries. LP-E6NH replaces LP-E6N, with an increased capacity of 14% reaching 2130mAh, enabling users to shoot for longer while maintaining compatibility with existing products and accessories.
BG-R10 battery grip
Enables extended, undisturbed shooting with EOS R5 and EOS R6, great for wedding, wildlife and news shooters. The new battery grip gives users the ability to power the bodies using two batteries (LP-E6/N/NH). The grip also offers duplicate controls for easier vertical shooting.
Battery grip style Wi-Fi transmitter and 2×2 MIMO antennas for faster and longer-range transmission, compatible with EOS R5. WFT-R10 also features enhanced network processing enabling SFTP via Wi-Fi and includes a gigabyte speed via ethernet port.
Sony MEA Launches the Alpha 9 III
Sony Middle East and Africa has introduced the new Alpha 9 III camera equipped with the world’s first full-frame global shutter image sensor. The new global shutter full-frame image sensor enables the camera to shoot at burst speeds of up to 120 fps with no distortion or camera blackout. By combining this innovative sensor with Sony’s most advanced AF system to date – boasting AI autofocus with up to 120 times AF/AE focus calculations per second – as well as the ability to sync flash at all shooting speeds, the Alpha 9 III opens up a new world of possibilities for professional photographers to capture that decisive moment.
The new Alpha 9 III is equipped with a newly developed world’s first global shutter full-frame stacked CMOS image sensor with approximately 24.6 effective megapixels and built-in memory, combined with the latest image processing engine BIONZ XR. It achieves blackout-free Continuous Shooting Speed with AF/AE tracking of up to approximately 120 frames per second. The new Alpha 9 III is equipped with high-density focal plane phase-detection AF. A Designated AI processing unit uses Real-time Recognition AF (autofocus) to recognise a wide variety of subjects with high precision.
By combining the high-speed performance of up to 120 frames per second with highly accurate subject recognition performance, it is possible to easily photograph decisive scenes and moments that cannot be captured with the naked eye. The AI processing unit in the Alpha 9 III supports movies as well as stills with accurate subject form and movement recognition, providing a significant improvement in human eye recognition performance with Real-time Recognition AF and Real-time Tracking automatically recognising, tracking, and focusing on the eyes of a specified subject. The Alpha 9 III is equipped with 8.0 stops of optical 5-axis in-body image stabilisation, allowing for high-quality image rendering.
Shutter speed is freed from the limitations of conventional mechanical shutter image sensors and achieves a maximum shutter speed of 1/80000 second (1/16000 second during continuous shooting), making it possible to capture at high speed without any distortion. When a compatible Sony flash is attached, such as the HVL-F60RM2 and HVL-F46RM (sold separately), it is possible to synchronise the flash and take pictures at all shutter speeds up to 1/80000 second.
Previously, if the user released the shutter at a speed faster than the flash’s synchronisation speed, the amount of light would drop sharply, but with the full-speed flash synchronisation function, it’s now possible to photograph scenes that could not be easily captured with conventional technology. Also, when shooting stills or movies under LED lighting, the Hi Frequency Flicker function can significantly reduce high-frequency flicker problems by allowing the shutter speed to be finely adjusted to match the flicker frequency while viewing the monitor.
The Alpha 9 III features selectable release lag modes which allows the user to prioritise release lag or viewfinder/monitor display. The newly installed Pre-Capture function allows the user to go back up to 1 second and record the moment before pressing the shutter, a Continuous Shooting Speed Boost change during shooting, and enhanced burst stamina ensure that important moments are reliably captured due to a large buffer memory and increased overall system speed allow up to approximately 390 Fine JPEG images to be captured in one continuous 30 fps burst.
Customisable focus areas have been expanded to include from XS to XL instead of the previous S, M, and L sizes. The Preset Focus/Zoom function allows preset focus and zoom settings to be memorised in the camera for quick recall when needed. In addition to the existing custom white balance frame size, the user can now select other sizes as needed which allows for fine white balance adjustment after an image has been composed. The Alpha 9 III has upgraded features such as the latest AF algorithms to achieve high AF precision down to light levels as low as EV-5 in AF-S mode (ISO 100 equivalent, F2.0 lens), AF tracking for continuous shooting at F22 and a composite RAW shooting function that gives the ability to combine multiple consecutive images into a high-quality composite.
The global shutter image sensor provides distortion-free image expression for videos as well as still images. For example, the user can shoot images of nearby scenery from a fast-moving vehicle such as a car or fast-moving subjects with ease. This camera is the first in the Alpha series to be able to record 4K 120p high-frame-rate video without cropping, allowing the user to shoot at the angle of view intended. It is also possible to shoot high-resolution 4K 60p videos with 6K oversampling.
The Alpha 9 III has the image creation process S-Cinetone, created through the development of the VENICE digital cinema camera for video production, making human skin and subjects stand out beautifully, creating natural highlights. The Alpha 9 III is equipped with the latest video performance including rich gradation performance and S-Log3, and when in Log shooting mode, it can reflect and display the user’s favorite imported LUT. Alpha 9 III is compatible with the mobile app “Monitor & Control” for video creators.
Sony has listened to the voices of professional photographers and created operability and reliability that supports professional image makers. The shape of the grip is improved and ergonomically designed so that it can be easily held in the palm of the user’s hand to avoid straining the user even when wearing a telephoto lens or using it for long periods of time. The VG-C5 vertical grip (sold separately), provides the same operability and versatility as when shooting horizontally; the user can comfortably support long shooting sessions.
The grip and shutter button area share the same design as the main body, allowing image capture without feeling uncomfortable, with the same operability as the camera. The Alpha 9 III is equipped with a 4-axis multi-angle LCD monitor that can be operated by touch, allowing for intuitive operation using the latest touch menu. The electronic viewfinder uses a 9.44 million-dot Quad XGA OLED and achieves high visibility with the same brightness as the α7R V and a magnification of approximately 0.90x. Also, a custom button is placed on the front of the camera, and the continuous shooting speed can be changed by operating the custom button assigned with Continuous Shooting Speed Boost with the finger holding the grip, allowing for highly immediate operations. It supports professional photographers when shooting in all environments.
New features for the Alpha 9 III include a playback image filter that allows the user to efficiently select a large number of images using high-speed continuous shooting and a function menu that can be used even during image playback, strongly supporting professional workflows from shooting to delivery. A function menu can now be used during playback so the user can efficiently select a huge number of images using high-speed continuous shooting.
The “Playback Function Menu” can be assigned in advance, so the user can perform protection, smartphone transfer, FTP transfer, etc. during image playback. The user can select images narrowed down with a playback filter and play them from the function menu, allowing for quick delivery of specific images. The camera is equipped with a dedicated microphone for voice memos on the back, and the built-in microphone located near the mouth allows clear recording of audio even in noisy environments. The recorded audio data can be transferred via FTP along with the images. The camera allows the user to set up to 20 presets from the International Press Telecommunications Council (IPTC), an international consultative body in which news organisations from various countries participate.
The Alpha 9 III can transfer data up to twice as fast as the Alpha 9 II. 5 GHz communication offers maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments. The Alpha 9 III allows stills and movies to be recorded to memory media in numerous ways including the two media slots that support CFexpress Type A cards as well as UHS-I and UHS-II SD cards.
It is compatible with the professional mobile application “Transfer & Tagging” which speeds up the image delivery workflow, and the application “Remote Camera Tool” which allows remote shooting of PCs using wired LAN. In addition, the Alpha 9 III is scheduled to support functional enhancements such as FTP operability, relay playback, and C2PA format support through a camera software update. Sony says it will continue to expand functions such as breathing correction, relay playback, and C2PA format support for the Alpha 1 and Alpha 7S III in the future to meet the needs of professionals along with the Alpha 9 III.
The Alpha 9 III camera will be available in the UAE from Q1 2024 (calendar year). The VG-C5 vertical grip will be available in the UAE from Q1 2024 (calendar year).
Fujifilm Launches INSTAX Square SQ40 Instant Camera
Fujifilm Middle East has announced the launch of INSTAX Square SQ40. This is an exciting new addition to the INSTAX series of instant cameras compatible with square format films, allowing users to enjoy on-the-spot photo printing. The SQ40 is an analogue instant camera that sports a premium and classical leather-look design, focusing on a texture that fits comfortably in the hand. It runs on plain operations to produce square-format prints with ease.
Released on the same day, the square format film “SUNSET,” is characterized by graininess and gradation around the frame of the film. The INSTAX series has been affectionately called “Cheki” in Japan since its initial launch in 1998. The series has gained popularity for its ability to not only print and preserve a precious moment right on the spot but also as a new tool for users to communicate their emotions. Offered in this series are card-sized “mini format” prints, “square format” prints, and double-card-sized “wide format” prints to expand the range of photographic expressions.
Square format film can cover a wider range of photographic scenes and is suitable for group shots and landscape photos. It can capture the subject with the background and atmosphere of the scene, expanding the user’s pallet of photographic expressions. The Square format film is well-liked across countries and generations because it offers the advantage of taking pictures with a 1:1 aspect ratio and arranging the creative composition, square format films are able to turn casual scenes into the artistic work of photography.
The camera features the “Automatic Exposure” function, which achieves optimum exposure for a given scene by simply turning the lens barrel to turn on the camera, pointing the camera at the subject and pressing the shutter button. Users can also switch to the Selfie Mode for taking selfies and close-ups by simply rotating the lens barrel to turn the camera on and rotating the barrel again in the same direction. Such simple operations are all that are needed to bring joy to photography.
Fujifilm will continue to expand the world of the “INSTAX” instant photo system that allows people to enjoy on-the-spot photo printing.
Canon Launches the Widest Auto Focus Zoom Lens Ever Made for a Full Frame Camera
Canon has launched the RF 10-20mm F4L IS STM, a new addition to the L-series range for photo and video professionals. Offering limitless possibilities by enabling an extreme ultra-wide shot, the RF 10-20mm F4L IS STM provides unrivalled image quality, all in a compact size. The lens builds on the capabilities of the existing wide-angle RF range as the widest AF zoom ever made for a full-frame camera, with an angle of view of up to 130°. Featuring a zoom that ranges from 20mm wide-angle to an exceptional and unique ultra-wide 10mm focal length, users can now achieve a shooting area more than twice that of a 16mm focal length.
Fitting more in the frame allows for fresh perspectives when it comes to capturing dramatic panoramas. Photographers can add extra foreground interest, capture tight interiors and architecture, and add depth to landscapes, and filmmakers can be more creative with awe-inspiring establishing shots. The new lens delivers unparalleled image quality in a wide-angle lens, achieving incredible sharpness and clarity with virtually no distortion.
Engineered to the highest standard, the RF 10-20mm F4L IS STM incorporates the latest Peripheral Control Image Stabilisation (IS) technology which ensures crystal-clear, shake-free images even in challenging shooting conditions or without tripod access. The new IS ensures shake-free images from the centre to the edge of the frame and offers five stops of optical stabilisation or six stops in combination with an in-body stabilised camera. Its advanced rectilinear optical design means you can expect a crisp and accurate outcome – so straight lines remain straight, even at the edges of the frame, all thanks to an advanced optical formula. A constant f/4 maximum aperture provides consistent exposures at every zoom setting, and state-of-the-art optical coatings minimise ghosting and flare which can be common with ultra-wide shots.
The advanced tech comes at no expense to ease of use. The RF mount allows outstanding image quality from a compact design by enabling hugely increased communication speed and bandwidth between the camera and lens. Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your kit bag. It’s less than half the weight (610g lighter) and 2cm smaller in width and length than the EF 11-24mm f/4L USM – in fact, the new lens paired with an EOS R8 weighs less than the older EF lens alone. All this despite offering a wider angle of view and the addition of IS technology – so shooting with limited space not only becomes easier, but your bag will be lighter too.
Due to its superior image quality, greater capacity for wide-angle stills and video, and lightweight design, the RF 10-20mm F4L IS STM is an essential upgrade for photographers and videographers looking to push their capabilities to the next level. While it’s ideal for landscapes or architecture, the lens can also capture a different perspective on sports or documentaries. The RF 10-20mm F4L IS STM can withstand even the most challenging weather conditions, as it is resistant to dust and moisture for professional use.
Key features and attributes include:
- The aspherical, Super UD, and UD lens elements (including one Aspherical UD element) help to achieve high image quality appropriate for an L lens
- Highly durable dustproof and waterproof qualities, to withstand rigorous conditions faced by professionals
- SWC (on 2 lens surfaces) and ASC (Air Sphere Coating) reduce ghosting caused by light sources within the image, a phenomenon often seen in wide-angle lenses
- First L series lens to feature STM motor and full-time manual focus capability, thanks to compact lightweight focus group
Review: GameSir T4 Cyclone Pro Midnight Wireless Controller
The gaming peripherals market is inundated with a plethora of controllers, each vying for attention with unique features and design...
Review: Huawei MatePad 11-inch PaperMatte Edition
Huawei has long been a prominent player in the tech industry, consistently pushing the boundaries of innovation. The Huawei MatePad...
Review: Lexar Jumpdrive Fingerprint F35
In the fast-paced world of data storage, security is paramount. Lexar, a well-known player in the storage solutions market, has...
Review: Corsair MP700 Pro PCIe Gen5 X4 NVMe M.2 SSD with Cooler
Corsair has launched the new MP700 Pro PCIe Gen5 X4 NVMe M.2 SSD with a Cooler that stands out as...
Review: Razer Kishi V2 Pro
Many companies make mobile game controllers designed for both Android phones and iPhones, with Razer being one of the top...