Digital SLR Cameras
Canon Reveals its Widest RF Lens to Date Offering a 14mm Focal Range
Canon has announced the launch of the RF 14-35mm F4L IS USM, its widest RF lens to date. The zoom lens completes its RF trinity of kitbag-friendly, compact f/4 lenses which together offer enthusiasts and professional photographers a versatile focal range covering 14-200mm. With quiet autofocus, 5.5-stop optical image stabilisation, and a 14-35mm focal length incorporating aspherical and UD elements for crystal clear results, the RF 14-35mm F4L IS USM is the perfect lens for shooting landscape and architectural photography, as well as vlogging where content creators need a stable and broad field of view.
The RF 14-35mm F4L IS USM joins Canon’s expanding range of class-leading RF lenses, built on the firm foundations of the EOS R System. When coupled with the innovative camera bodies, the full line-up of RF lenses deliver unrivalled optical performance and unlocks new possibilities for photographers and videographers. Enabled by the RF Mount communication system, this lens takes advantage of the combined lens and in-body image stabilisation on compatible EOS R-series cameras. It achieves a 7-stop benefit when used with the Canon EOS R5 or EOS R6, with autofocus and control – making it a practical powerhouse for both stills and movie shooting.
Bengü Topçu, Regional Marketing Director – B2C Business Unit at Canon Middle East, said, “We are excited for film and photography enthusiasts to experience this new addition to Canon’s expanding range of class-leading RF lenses. Through our extensive investments in lens design and high-precision manufacturing technology, L308 offers advanced features which reduce aberration and create pin-sharp images. It comes with an Optical Image Stabilizer feature, making it suitable for both stills and movie shooting. This is perfect for shoots under any weather conditions whether in an indoor or outdoor landscape.”
Taking advantage of the EOS R System’s large-diameter mount, the RF 14-35mm F4L IS USM achieves a powerful combination of wider coverage, high image quality – all in a compact optical system. Weighing just 540g, the RF 14-35mm F4L IS USM stands alongside the compact, lightweight RF 24-105mm F4L IS USM and RF 70-200mm F4L IS USM lenses to deliver a range of f/4 lenses at different optical lengths that can suit almost any photography need. As with the other lenses in this trinity, it shares the same 77mm filter thread and compact form factor, which makes them convenient travel companions – users can be confident, capturing a range of perspectives whilst reducing the size and weight of the kit they carry with them.
Offering a broad focal range, the RF 14-35mm F4L IS USM affords photographers the flexibility to capture a multitude of different subjects, including landscape and architecture. The lens features a class-leading minimum focus distance of 0.2m and a 0.38x magnification thanks to its rear focusing system. This makes the RF 14-35mm F4L IS USM particularly effective in confined spaces, enabling photographers to squeeze an entire scene into the image.
The RF 14-35mm F4L IS USM employs an advanced optical design of three ultra-low dispersion and three glass moulded aspherical lens elements – one of which is both UD and aspherical – that builds on Canon’s 50 years of research and development into aspherical lenses for interchangeable lens cameras. Through extensive investment in lens design and high-precision manufacturing technology, these components feature a non-spherical curvature that gathers light at a single point to reduce aberration and create pin-sharp images, replicating the image quality of Canon’s renowned prime lenses.
These elements ensure the highest resolution from edge to edge of the image, which is particularly challenging in wide-angle lenses where the presence of spherical aberrations greatly increases. Combined with Canon’s advanced proprietary Subwavelength Structure Coating (SWC) and Air Sphere Coating (ASC), which prevent ghosting and flare, the RF 14-35mm F4L IS USM achieves exceptional sharpness and contrast.
Delivering the very best qualities of the L-series, the RF 14-35mm F4L IS USM gives photographers and videographers consistent, precise performance. The rear focus design that enables the close focusing ability of this lens also reduces focus breathing to less than a third of the EF 16-35mm f/4L IS USM. Its Nano USM focus motor delivers fast, smooth, and quiet autofocus; while the wide-angle, fixed f/4 aperture stays constant over the full focal length range ensuring there is no variation in shutter speed or ISO when zooming.
When combined with the 5.5-stop Image Stabilizer (IS), increasing to 7-stops when used with Canon’s EOS R5 and EOS R6, the RF 14-35mm F4L IS USM is an essential tool for videographers using the EOS R System, providing steady footage throughout the entire video. Photographers can shoot handheld, even at very low shutter speeds. The RF 14-35mm F4L IS USM employs a control ring to give users fast, direct control of the TV, AV, and ISO settings without the need to delve into menus or take their eye away from the viewfinder. Along with the full-time manual focus ring, which leverages L-series weatherproofing for a robust design, photographers and filmmakers can confidently shoot in all conditions.
Digital Cameras
Sony Launches New FE 85mm F1.4 GM II Lens
Sony Middle East and Africa announces the FE 85mm F1.4 GM II (SEL85F14GM2) a premium lens offering a supreme blend of high resolution and stunning bokeh with fast autofocus (AF) in a compact body. This is a second-generation lens that inherits the optical design that achieved a high-level fusion of bokeh and resolution that was highly praised in the first-generation model and generously incorporates the latest technology. When paired with the latest Sony Alpha series cameras, it is an ideal option for a wide variety of creative uses in both photography and videography, including portraiture, wedding, travel, and cinematic video.
The advanced and refined optical design and elements of the FE 85mm F1.4 GM II bring together appealing bokeh and enhanced high resolution, making it ideal for portrait photography. Packed with two XA (extreme aspherical) and two ED (extra-low dispersion) lenses, the state-of-the-art optical design effectively suppresses aberrations. This combination offers corner-to-corner resolution and rendering, resulting in outstanding image quality. Moreover, Sony’s original Nano AR Coating II technology effectively subdues flare and ghosting for clear, crisp images. The 11-blade circular aperture and optimisation of spherical aberration during the design and manufacturing process provide the beautiful, soft bokeh that is the hallmark of the G Master series.
The FE 85mm F1.4 GM II’s AF is agile, maximising the speed advantage of advanced camera bodies. For stills, it is up to 3 times faster compared to the previous model, tracking moving subjects with high precision. It keeps up flawlessly with the Alpha 9 III’s 120fps continuous shooting, and subject tracking performance is improved by as much as 7 times. Compared to the current 85mm F1.4 GM1, the weight of the FE 85mm F1.4 GM II (642 grams) is approximately 20% lighter and 13% smaller in volume, which is achieved through the latest mechanical technology and optical design. The FE 85mm F1.4 GM II has a filter diameter of φ77 mm, a diameter of 84.7 mm and a length of 107.3 mm.
For smooth movie creation at F1.4, the FE 85mm F1.4 GM II has an XD linear motor. Focus breathing is minimal, and in-body focus breathing compensation is supported. It has two customisable focus hold buttons and an AF/MF switch offers flexible operability, while an independent aperture ring and Linear Response MF focus control provide the kind of intuitive control that creative shooting demands. The front lens element features a fluorine coating, which makes it easy to remove fingerprints, dust, oil, and other contaminants from the lens surface. The dust and moisture-resistant design provides extra reliability for outdoor use in challenging conditions.
The FE 85mm F1.4 GM II will be available in the Middle East from September 2024.
Digital SLR Cameras
Canon Pushes Boundaries with Next-Gen EOS R1 and R5 Mark II Mirrorless
Canon Europe raises the bar for professional photography and videography with the launch of the highly anticipated EOS R1 and EOS R5 Mark II mirrorless cameras. These flagships for the EOS R System boast unparalleled performance, streamlined workflows, and intuitive user experiences.
EOS R1: Built for Uncompromising Speed and Accuracy
The EOS R1 inherits the legacy of the EOS-1 series, renowned for its reliability and high performance. It’s a dream camera for news and sports photographers, capturing the decisive moment every time.
- Groundbreaking Autofocus: Introducing a revolutionary new Cross-Type AF system, the EOS R1 excels in challenging situations, tracking subjects through nets, picking out smaller details, and focusing on vertical details in low-horizontal-detail scenarios.
- Unmatched Speed: Capture fast-paced action with a silent electronic shutter offering a staggering 40fps with AF tracking and 20 frames of pre-continuous shooting.
- Exceptional Image Quality: Despite its high speed, the 24.2MP sensor delivers exceptional detail. Deep Learning image upscaling and noise reduction provide in-camera options for 96MP images.
- Hybrid Multimedia Powerhouse: Shoot 6K resolution at 60fps, 4K at 120fps, or Full HD at a remarkable 240fps for smooth slow-motion capture.
- Built to Endure: The weather-resistant body with a renewed texture and integrated vertical grip ensures durability in harsh environments.
EOS R5 Mark II: Unmatched Versatility for Hybrid Creators
The EOS R5 Mark II builds upon the legacy of the EOS R5, pushing the boundaries for hybrid photography and videography.
- Exceptional Resolution and Speed: The new back-illuminated, stacked sensor boasts a stunning 45MP resolution. Capture fast-moving subjects with the 30fps electronic shutter and low rolling shutter distortion. Pre-continuous shooting captures 15 frames before the shutter press, ensuring you never miss the moment.
- Unleash Your Creativity: Advanced image upscaling allows for in-camera creation of stunning 180MP images with exceptional noise reduction.
- Seamless Hybrid Functionality: Enjoy enhanced synergy with the Canon Cinema EOS line, with shared features and formats. Record stunning 8K 60p from the full sensor width with 12-bit internal RAW recording, or create captivating 4K videos at up to 120p with sound.
- Enhanced Workflow: Streamline your post-production with video proxies, industry-standard file naming, and structured folders.
- Compact and Durable: The lightweight magnesium alloy body features a fog-resistant, brighter viewfinder for exceptional usability, even in challenging conditions.
A New Era for EOS R
The EOS R1 and EOS R5 Mark II represent a complete professional package, offering the ultimate in speed, reliability, versatility, and practicality. Together with Canon’s expanding EOS R System cameras and RF lenses, these powerhouses solidify Canon’s commitment to delivering cutting-edge technology for all genres of photography and videography.
Digital Cameras
Canon Adds New Cinema RAW Light Recording Formats to EOS C500 Mark II Via Firmware Update
Canon Europe has announced the release of a new free-of-charge firmware update for the EOS C500 Mark II, further enhancing the camera’s professional functionality. The firmware update adds 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. Previously made available for the EOS R5 C and EOS C70, this highly requested feature allows users to select a scalable range of internal RAW recording data rates that either further enhance the fidelity of the sensor output or reduce file sizes – all while maintaining the high-quality 12-bit colour information.
The EOS C500 Mark II features a 5.9K full-frame sensor, internal RAW recording, interchangeable lens mount and highly configurable modular design. The camera is a popular choice for television and cinematic productions due to its impressive image quality, extensive connectivity, and compact body.
Aron Randhawa, Senior Product Specialist at Canon Europe, said, “Cinema RAW Light is continually evolving and has a clear advantage over heavily compressed formats, especially for colour grading and VFX pipelines. All three scalable new formats are 12-bit, even at higher frame rates, with no chroma subsampling, enabling cinematographers to unleash the full capability of their production camera.”